The "Stag Line" - A Cape Breton Dance Hall Etiquette (Part of Cape Breton Social Heritage)

The "Stag Line", a male high school dance etiquette,Now here is the shear brilliance of the stag line. It
was certainly indigenous to Cape Breton Island inreally was a simple male support system for those
Nova Scotia Canada.almost always shy and awkward teenage guys
Remember those Cape Breton school dances in theworking up the courage to ask a girl to dance. If the
1960s?female response was affirmative, the gentlemen
The community hall or gymnasium would be dimlysimply escorted her to the dance floor then danced
lighted by a few flood lights. Whether the music wasto as many tunes as was enjoyable for both. When
delivered by a jukebox, a DJ or live band, the use ofthe dancing was ended by either party, the guy
a color organ and strobe light was prevalent. Waitingescorted her back to her seat and then (this is
in anticipation of being asked to dance, the teenageperfect) rejoined his comrades in the stag line parade.
ladies were seated along the walls of the dance floorNow, should a female's response to a dance request
while some of the young girls started things off bybe 'negatory' or even a little hesitant, the "stag line
dancing with each other.extracted" male need simply to step back into the
In Cape Breton this familiar 1960s dance scene nowline right next to the comfort and support (or jabs)
took a radical depart from the norm. The youngof his buddies. And likely only a few people even
gents, dressed in typical macho denim jeans 'n jacket,noticed the rejection let alone the valiant attempt.
entered the dance hall 'struttin' their stuff'. Then, likeEveryone kept face. And the recovering male, once
"the March of the Penguins", these young males, 2 orre-composed, would start the hunt for the next
3 abreast, began a deliberate saunter (always indance partner.
counter clockwise direction) around the dance floor.How did the stag line practice get started?
This procession of "eligible male dance partners"One plausible theory about the origin of the "stag
(hence the name ''stag line'') expanded with moreline" is that at a dance enters the local 'fonzie",tough
guys joining their buddies in the "dance floor walkguy with his entourage of tough guys. Being the "top
about". In short order, this all-male line grew to a solidcatch for any lady", these tough guys started to
moving procession (2 to 4 wide) of guys. For thestrut in front of the ladies seated around the dance
entire evening, this organized 'struttin' line circled thefloor. Low and behold, the 'regular', 'not so tough', 'but
dance floor, positioned between the dancing masseswanting to be part of the tough guy club' guys
and the eligible ladies sitting along the edge of thestarted following behind these tough guys. And so
gymnasium.the 'stag line' was born. The stage line phenomenon
What was the purpose of this Cape Bretonappears to have only survived the 1960's teenage
dance-matching ritual?generation. Not sure if any photographs have
Being in the stag line, provided each male amplecaptured this social dance practice.
opportunity (multiple loops of the dance floor) toSo this "man-line" really brought a kind social order to
scope out the females, both dancing and sitting. HeCape Breton teenage dances. No one got hurt and
would spot his next potential dance partner. Withmales learned to deal with rejection and ridicule in a
both the encouragement and jabs from hismore supportive (sometimes not) team environment.
immediate "stag line" buddies, once he worked up theMaybe stag lines should re-introduced for those over
nerve, (usually after 4-10 passes) the male would50 dances. If for no other reason, seniors would get
simply step out of the line in front of the chosentheir walking exercise. Picture that.....
sitting lady and request a dance.