| Recording a rap song has a lot of | | | | microphone so air from your mouth will |
| techniques that most people with a | | | | not blow on it andruin your work. This |
| homestudio may overlook. | | | | is a common problem when it comes to |
| One of these techniques is punch ins. | | | | recording. |
| Punch ins is when you silence | | | | One of the most importing equipment is |
| yourmistakes and record what you wanted | | | | the microphone. The best thing you can |
| to say, the same time of the silenceon | | | | dois do your homework. A microphone that |
| another track. This technique can save a | | | | is good for one person may not be |
| lot of time. | | | | goodfor another. If you know someone |
| Another technique is chopping. Chopping | | | | with a studio and you like how yourvoice |
| is when you record every fourbars. This | | | | sounds, ask them what kind of equipment, |
| is when you write a rhyme that is hard | | | | software and techniques theyuse when |
| to say. If you run outof breath and it | | | | recording. No two studios will ever |
| is not coming out right. This technique | | | | sound exactly alike. Itwill take some |
| can be a reallife saver. | | | | experimenting to get your recordings |
| Some tools and equipment you should use | | | | just the way youlike it. With some |
| when recording is a pop guard. Apop | | | | ingenuity some patience and a bit of |
| guard is a mesh like or sponge like | | | | knowledge there isno reason why your |
| screen. This screen is put infront of a | | | | tracks won't sound like a million bucks. |