The history of line dancing

Think of the Wild West and the imagination runsStep, Waltz, Swing and about three or four line
away with itself. Myth, mystery and a healthy supplydances. If you had taken the floor back then, most
of romantic fiction conjure up a satisfying picture oflikely you would have found yourself learning the
gun toting Clint Eastwoods, head hunting Apaches,Tush Push, Four Corners, the Stomp, and something
and stressed out sheriffs trying to enforce the rulevery like Elvira or Texas Freeze.
of law. The very fact that the genre of spaghettiOriginally line dances were choreographed to all kinds
westerns was inspired by an Italian should set alarmof music. The Tush Push, written by Jim Ferrazzano
bells ringing.in 1980, was first intended for big band music at a
It's understandable that line dancers would like to seespeed of 140 bpm! A lot of dances were done as
their own history within the same frontier fairy talefolk dances or party mixers that were adapted to
but the reality, if a little boring, is somewhat different.country music and given "cutesy" country titles by
As Cathy Hellier, dance historian at the Williamsbergex-ballroom teachers. The Cowboy Charleston was
Research Foundation in Virginia points out, ratherby no means a country dance, and neither was the
puzzled by our phone call, "line dance is a modernAlley Cat. The Barn Dance Mixer (Wild, Wild, West)
form of dancing, isn't it?"was a Merengue or Paso Doble party mixer
Conditions on the western frontier in the 18th andLine dance climbed into bed with country music when
19th centuries were severe. True, the early settlersBilly Ray Cyrus wrote Achy Breaky Heart in 1992. A
were predominantly men but line dance didn't evolveclever marketing trick, Melanie Greenwood's dance
just because they weren't too keen on dancingwas written to promote the song. Five years later
cheek to cheek. Survival was the main priority, andand Achy Breaky Heart has snowballed into the
any "free" time would most likely have been spentbiggest dance craze ever, line dancing choreographed
lying very still with their eyes closed. It's not possibleto country music. Not the legacy of bold frontier
to plot line dance on a continuous graph. But whatsettlers with the American Dream in their hearts, but
the settlers did bring with them were their ownan ingenious ploy to sell records.
national traditions of dancing that form the basis ofBang goes the fairy tale. Enjoyable, straightforward
what we all enjoy today.to learn and not requiring a partner, line dance was
The original Schottische arrived from Poland. Germanbound to spread.
settlers introduced "clogging", while Cajun influencesIn many countries, particularly across continental
not surprisingly can be laid squarely at the doorstepEurope, the US military laid the first foundations,
of the French. None of these guys did the Tushsharing line and country dance with the locals.
Push, Cajun Mambo Walk or Roll Back The Rug. InA long standing affection for country music in the UK
the first place, they wouldn't have known what awas a powerful springboard, and line dance rapidly
"tush" was. You have to take a leap into this centurybecame a part of the holiday camp country music
to discover the first sightings of line dance, which inscene.
its recognisable form swung in on the coat tails ofAnd so we've gone an international full circle, with
rock and roll. There emerged what can be describeddifferent nations of dancers now adding their own
as "fad" dances like the Stroll and later the Madison,ideas and interpretations, just like they've always
and as disco music took hold in the 70s the Hustledone.
craze started followed by a distinct line dance calledThat's the best way to see line dance and its history,
the Bus Stop, which closely resembled the Electricas a family of dance styles, pieced together from a
Slide.jigsaw puzzle of nations. The spaghetti western
The film industry was an important boost, classicallytheory may make a better story line but that's
Grease (remember the Hand Jive?) and the movieHollywood for you. You don't have to believe us if
Urban Cowboy in the early 80s, which sparked ayou don't want to.
trend in country clubs doing Cotton Eyed Joe, Two