| Introduction: After some 25 years, singer and actress | | | | Howard's third solo album, Miki Howard, was released |
| Miki Howard continues to resonate passion and soul | | | | in 1989 and proved her most commercially successful |
| into music. With many years in the entertainment | | | | to date. The single "Aren't Nothing in the World" |
| business, Miki's latest CD, Private Collection makes | | | | became Howard's first number-one hit on the R&B |
| the listener think of her and the CD content as similar | | | | charts, and another song, "Love under New |
| to a collection of fine, developing wine. Aside from a | | | | Management," followed it to number two. Although it |
| string of Billboard R&B top rated singles, and success | | | | was not her biggest hit, "Management" became one |
| with nominations from Grammies, American Music | | | | of Howard's signature tunes. |
| Awards, Soul Train Music Awards and others, how | | | | 1990s: Howard continued her successful solo career |
| many singers and actresses could pull off portraying | | | | after switching to Giant Records in 1991. Her first |
| the legendary Billy Holliday? Outside of Diana Ross, | | | | single under her new contract, "Aren't Nobody like |
| Miki Howard did to rave reviews in Spikes Lee's highly | | | | You," became Howard's second number-one R&B hit. |
| acclaimed, Academy Award nominated 1990 | | | | The subsequent album, 1992's Femme Fatale, |
| masterpiece, Malcolm X. | | | | featured Howard's renditions of classic tracks |
| Unlike the current 'Soul Revival' coming to the | | | | originally performed by Dinah Washington ("This Bitter |
| forefront from such new artists like, Amy | | | | Earth") and Billie Holiday ("Good Morning Heartache"). |
| Warehouse, Donnie, Rahassan Paterson, The Brand | | | | A casting director saw Miki perform some Billie |
| New Heavies, Gordon Chambers, Anthony Hamilton | | | | Holiday tunes at a New York City concert at Radio |
| and others, Miki Howard not only brings a soul | | | | City Music Hall, and offered her the above referenced |
| element to her vocal depth, but she also embodies | | | | role of Holiday in the nightclub scene of director Spike |
| jazz, blues and the best of today's R&B, including the | | | | Lee's 1992 epic film Malcolm X. The following year, |
| music coming singers likes of Alicia Keys and Fantasia, | | | | Howard recorded an entire album of Holiday songs, |
| to name a few. This all stems from Miki's early roots. | | | | titled Miki Sings Billie, including her favorite Billie tune, |
| 1960s: Born Alicia Michelle Howard in Chicago, Illinois, | | | | "Don't Explain." Outside of her acclaimed portrayal of |
| she is the daughter of gospel singer Josephine | | | | Billie Holiday, other film credits have included working |
| Howard of the legendary, Rock and Roll Hall of Fame | | | | with such directors as John Singleton in his 1993 |
| group, The Caravans, and Clay Graham of the Pilgrim | | | | movie Poetic Justice with pop icon Janet Jackson. |
| Jubilees. During her childhood in Chicago and Detroit, | | | | After Miki's relationship with Leveret ended, Miki had |
| Howard met some of the best singers of the day | | | | a brief marriage that produced another child. By 1993, |
| when they visited her family. "It was nothing for me | | | | the singer had finally extricated herself from that |
| to see James Cleveland, Billy Preston, and Fats | | | | marriage, a disastrous marriage that had a damaging |
| Domino in my house," she said. "I was surrounded by | | | | effect on her career. As she explained "I don't want |
| music every day, so I knew I wanted to sing | | | | to go into details, but let's just say events that |
| professionally someday." Among Howard's earliest | | | | occurred during that relationship left me with |
| influences were family friends Dinah Washington--to | | | | challenges in the industry. For instance, I remember I |
| whom she would later be compared--and Aretha | | | | was about to sign with RCA Records and the deal |
| Franklin. Howard also counted Nina Simone, Shirley | | | | fell through. That was a crushing blow. With all that |
| Basely, Lena Horne, and Judy Garland among her | | | | was going on in my life at the time, I decided to |
| favorite vocalists. | | | | 'retire' for a while to get myself together." |
| 1970s: Miki's family moved to Los Angeles while she | | | | During this period, Howard moved to Atlanta with her |
| was in her early teens. Already aiming at a career in | | | | three children, where friends Chaka Khan, Cherelle, |
| music, the 15-year-old Howard received her first | | | | and Patti LaBelle comforted her in the aftermath of |
| break when she participated in a teen beauty | | | | the divorce. Miki released Live Plus in 1996, and a |
| contest. Augie Johnson, leader of the group Side | | | | comeback album of original material, Can't Count Me |
| Effect, happened to be in the audience; impressed | | | | Out, in 1997. She also toured in the road company of |
| with Howard's singing talent, he introduced her to | | | | the Broadway musical Dream girls, playing the role of |
| Wayne Henderson, who signed the teenager to a | | | | lead Dream, Deena. |
| contract with his At Home Productions. Howard also | | | | By 1999, Howard was ready to revive her recording |
| joined the lineup of Side Effect in 1978. For the next | | | | career in earnest. Miki says she simply contacted her |
| couple of years, Howard continued to sing with the | | | | managers and said, "I need to make a record." "One |
| group and performed backup vocals as a studio | | | | of my co-managers at the time had started Peak |
| singer for jazz great Stanley Turpentine, Wayne | | | | Records so it was uncanny." Howard continued, "I |
| Henderson, Roy Ayers, Grover Washington, Jr., and | | | | got a deal pretty quickly with the new label! Lots of |
| Philip Bailey. Howard and Johnson also began a | | | | my friends started coming out of the woodwork to |
| personal relationship that produced two children | | | | give me songs and before we knew it, we had ten |
| 1980s: Already in demand as a session vocalist, | | | | ready to go." |
| Howard also performed with Side Effect on comic | | | | 2000s: Howard's first album of original material in four |
| deejay Rick Dees' singles in the early 1980s, which | | | | years, Three Wishes, was released in 2001 to |
| she credits as the catalyst for her solo career. "It | | | | excellent reviews. The album earned a Grammy |
| was my experience with Rick that made me want to | | | | Award nomination for Best Traditional R&B |
| go solo," she recounted on the Peak Records | | | | Recording; although she lost out to Gladys Knight in |
| website. "We performed at the L.A. Amphitheater | | | | that category, the nomination itself represented an |
| and I saw the dressing room marked 'Star' and I was | | | | artistic comeback for Howard. After 25 years in the |
| jealous and wanted my own room." | | | | music business, the singer was comfortable with her |
| As with so many other solo artist confined to the | | | | place in the industry and resigned to the |
| limitations of being in a group environment, Howard | | | | compromises it demanded. In 2001 The Very Best of |
| sought a solo recording contract, and around 1985, | | | | Miki Howard, including her top R&B hits from the late |
| famed label Atlantic Records gave Miki Howard a life | | | | 1980s and early 1990s, was released on Rhino |
| changing opportunity. She recorded her first solo | | | | Records. An album on the Shanachie label, Pillow Talk: |
| album with Atlantic in 1986, Come Share My Love. | | | | Miki Sings the Classics was released in 2006. |
| Her first hit for Atlantic was the album title track, | | | | Discography: Miki Howard, a kid from the 1960's, is a |
| Billboard R&B top ten single "Come Share My Love, " | | | | woman that has survived the 70's, 80's, and 90's. She |
| which peaked at number five. Miki followed that with | | | | is an artist with a persistent fan base, consistently |
| her second hit, a remake of Glenn Miller's 1940 tune | | | | awaiting new releases. The Discography that created |
| "Imagination," which she had to fight to include in her | | | | her following includes a long list of hits: Come Share |
| first album. | | | | My Love 1986, Love Confessions 1987, Miki Howard |
| Howard's second solo album, 1988's Love | | | | 1989, Femme Fatale 1992, Miki Sings Billie 1994, Live |
| Confessions, offered two R&B chart hits, the | | | | Plus 1996, Can't Count Me Out 1997, Three Wishes |
| top-five hit "Baby Be Mine," and the top-ten hit, | | | | 2001, The Very Best Of Miki Howard 2001, Pillow |
| "That's What Love Is." The latter was a duet with | | | | Talk: Miki Sings The Classics 2006, and now Private |
| Gerald Leveret that reflected a real-life romance | | | | Collection 2008. |
| between the two singers that lasted until 1990. | | | | |