| A line dance is a formation dance in | | | | Promenade position for a few counts, and |
| which a group of people dance in a line | | | | then move on. This has it roots in |
| formation or in lines, and they all | | | | Square or Round Dancing. |
| execute the same dance moves | | | | These contact maneuvers are more likely |
| individually. | | | | in the variation where line dancing |
| The term is applied to two different | | | | takes place in two concentric rings |
| types of dances. | | | | which are facing each other, such as a |
| In a number of cultures there are line | | | | Barn Dance or Indian Outlaw. |
| dances that may be considered a | | | | Two dancers (usually partners) can dance |
| variation of circle dances, where people | | | | together in what is known as a cape |
| are joined by hands in chain, e.g., the | | | | dance, where the male partner stands |
| Dabke dance of Middle East. In fact, | | | | next to the female and holds her |
| with small numbers of dancers most | | | | corresponding hands - one arm over her |
| circle dances, such as hora, may be | | | | shoulder, like cape. |
| danced in a line formation, rather than | | | | Music |
| in a circle. | | | | Line dancing has had a cowboy image, and |
| In a small group there may be only one | | | | it was danced predominantly to |
| line, but usually there are several | | | | country-western music. This has been |
| parallel lines, one behind the other. A | | | | changing since the late 1990s, as more |
| dance teacher, or more experienced | | | | young people became involved. Today, |
| dancer, will usually perform on a stage | | | | country music may make up the minority |
| or in the center of the first line. | | | | of a DJ's play list, with the balance |
| Inexperienced dancers are encouraged to | | | | spread through a variety of many |
| take positions in the middle of the | | | | different musical styles both new and |
| group to allow watching other dancers' | | | | old. Genres including Celtic, Swing, |
| feet in front of them. Experienced | | | | Pop, Rock, Big Band, Folk, and almost |
| dancers are encouraged to take positions | | | | anything else that has a regular beat. |
| on the outside edges of the group to | | | | Competition |
| help others. | | | | The main organisation for line dance |
| In this parallel line formation, the | | | | competition is Masters in Line |
| dancers dance in a synchronized manner, | | | | (www.mastersinline.com). Masters in Line |
| but independently of each other. There | | | | (MIL) run competitions all over the |
| are usually no moves that require any | | | | world, from Asia to America and feature |
| interaction between the dancers, other | | | | a World Championship in Blackpool, UK |
| than they execute the maneuvers at the | | | | during August each year. Competitors |
| same time. Each dance has a different | | | | compete throughout the year at a number |
| sequence of movements that must be | | | | of events to qualify for the finals |
| learned. | | | | which are held in December, named the |
| There are several variations to this | | | | 'British Masters'. The Masters consist |
| parallel lines set-up. There may, for | | | | of three notable line dancers, Rachael |
| example, be two sets of lines where the | | | | McEnaney, Robert Fowler and Paul McAdam. |
| dancers face in directly towards each | | | | Competitors compete in divisions, |
| other. In larger groups these will | | | | including 'Newcomer', 'Division 4', |
| become several sets of in-facing | | | | 'Division 3', 'Division 2' and 'All |
| parallel lines. In these "contra" line | | | | Stars'. Competitors must follow strict |
| dances, the dancers will dance with the | | | | guidelines and rules related to each |
| others in the facing lines. The dancers | | | | particular division. Normally |
| often weave in and out, exchanging | | | | competitions run over a number of days, |
| places, or dance up to each other, and | | | | featuring line dance workshops, socials |
| make momentary contact, such as a hand | | | | and demonstrations from the Masters |
| clap, or a swing, or take hold in | | | | themselves as well as the competing. |